One afternoon some years back, I found myself looking over a printout of events presented by Jazz at Lincoln Center. This would have been just a routine bit of research, except for the fact that I was standing in the elegant Manhattan apartment of the organization’s artistic director, Wynton Marsalis, who’d brandished the document to prove a point.

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The Jazz at Lincoln Center Orchestra has shelves upon shelves of recordings from concerts it has presented since its founding in 1987. Now, that organization, together with Sony Music Entertainment, is bringing that archive, as well as new studio and live recordings, to the public through the creation of its own label, Blue Engine Records.

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