PITCHFORK REVIEW: Pat Metheny’s casual experiments offer a fascinating peek into his creative mind

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First popularized by Chicago jazz singer Judy Roberts and recently resurrected on a compilation of obscure yacht-rock gems, Russ Long’s 1982 composition “Never Was Love” is a fascinating document of its time: as catchy and evocative as anything on Silk Degrees but played with a sophistication that suggests a smoky after-hours club as much as a crowded disco. Hearing these kinds of lost classics tends to invite a litany of questions: What happened to the mysterious figure behind its heartbroken words? What kept its songwriter from catching on beyond their regional scene?

Or if you’re Pat Metheny, you might ask: What would this sound like stripped down to just two sad, solitary electric guitars? The 68-year-old virtuoso’s rendition is a highlight on Dream Box, an understated set of new solo recordings that he compiled during downtime on tour buses and in hotel rooms around the world. On the road last year, Metheny sorted through a folder on his computer where he had stored these casual, off-hours experiments: cover songs, jazz standards, and new melodies captured as soon as they occurred to him. In the liner notes, Metheny describes the songs as “moments in time” more than proper compositions. “I have almost no memory of having recorded most of them,” he admits. “They just kind of showed up.”

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Pat Metheny on TKA